The movie poster doesn't do
the film justice . . .
Photo Courtesy ofhttp://www.black-and-white-movies.com/ |
Captain Daniel Gregg: "You must make your own life amongst the living and, whether you meet fair winds or foul, find your own way to harbor in the end."
Ah, if truer words have ever been spoken, I've yet to hear them.
The only way I can think to describe this film is that it is gentle; gentle in it's romanticism, gentle in it's beauty. It takes you by the hand, and as you go on your journey of watching this film, it never once loosens its gentle grip on you, but somehow through the course of those couple of hours that you sat there watching, it transformed its grip from your hand to your heart. The word "masterpiece" is overused, especially considering today's standards of making something become such but any lesser word would be inadequate--and the last thing The Ghost and Mrs. Muir is is inadequate--and so with that in mind, I must say that The Ghost and Mrs. Muir is a true masterpiece.
"It was all a dream . . ." Photo Courtesy of http://www.mysticallabyrinth.blogspot.com |
So, going on that, I immediately loved his character, Captain Daniel Gregg. If Rex had been a seaman, not a sailor, for as Captain Gregg pointed out only landsmen call them that, he would've been Captain Gregg through and through.
This is my second film with the lovely Gene Tierney, the first having been The Razor's Edge with Tyrone Power, Herbert Marshall, and Ann Baxter. I really enjoyed The Razor's Edge when I watched it about a year ago, and I'd recommend it to anyone, but I most certainly didn't like Gene Tierney's character--and so of course this made me really like Gene. She was a fantastic actress, a true beauty, but is almost forgotten of today which is a total shame.
Candlelight + Mastery cinematgography = this scene. Photo Courtesy of http://www.anotherfilmblog.wordpress.com |
Perfection. Photo Courtesy of http://www.shangols.canalblog.com |
I wanted to cry, I truly did.
When Rex left the picture, I found out just how immensly I was wrapped up in this picture. I knew that they would find each other in the end, it's just one of those films that you know what is going to happen, but you don't mind knowing. I was so in love with this film, and I so wanted them to finally be together, that I was looking forward to Gene's death because I knew that ws the only way they were going to be able to be together. I know, that's wrong to wish so, weird even. Yet that's how I feel. It's not fair that Rex had to wait for her, that he couldn't be with her as she is, and so he had to put his love for her on hold. AND, to make sure that she led a happy life, had to make her think it was all a dream. Truly, that was too much for me. So, yes, to end the agony--Rex's agony, Gene's agony, MY agony--I looked forward to her death (I was sad when she died though, but only for the maid, Martha. Poor dear . . .).
It has been said that Rex Harrison was a "difficult" actor for directors to work with because he thought he should do a character one way, and the director another. He did have such problems as those with director Joseph L. Mankiewicz, but one would never be able to tell as they viewed this lovely film (or in any other film that Rex was in).
The perfumed parlor snake himself. Photo Courtesy of http://www.classicmoviestills.com |
Aw, the cuties . . . Photo Courtesy of http://www.flickr.com |
Together again. Photo Courtesy of http://www.mothgirlwings.tumblr.com |
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